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Paper costumes for A Nightmare Side Show, one of thirteen group processions performed during Paper Ball: Le Cirque des Chiffonniers, First Hartford Festival, Wadsworth Atheneum, Hartford, Connecticut, 15 February 1936 Standing, left to right: André Masson, Kay Sage, and Calder; sitting, left to right: André Breton, Susanna Perkins Hare, Louisa Calder, Rose Masson, Diego Masson, Charlie Prescott, Mary Calder, and Teeny Matisse, Roxbury, 1941 Alexander Calder was born in 1898, the second child of artist parents—his father was a sculptor and his mother a painter.Because his father, Alexander Stirling Calder, received public commissions, the family traversed the country throughout Calder's childhood.Calder was encouraged to create, and from the age of eight he always had his own workshop wherever the family lived.For Christmas in 1909, Calder presented his parents with two of his first sculptures, a tiny dog and duck cut from a brass sheet and bent into formation.The duck is kinetic—it rocks back and forth when tapped.



While serving in the latter occupation, on a ship from New York bound for San Francisco, Calder awoke on the deck to see both a brilliant sunrise and a scintillating full moon; each was visible on opposite horizons (the ship then lay off the Guatemalan coast).The experience made a lasting impression on Calder: he would refer to it throughout his life.Calder committed to becoming an artist shortly thereafter, and in 1923 he moved to New York and enrolled at the Art Students League.He also took a job illustrating for the , which sent him to the Ringling Bros.

and Barnum & Bailey Circus to sketch circus scenes for two weeks in 1925.

The circus became a lifelong interest of Calder's, and after moving to Paris in 1926, he created his , a complex and unique body of art.



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